Kellie and Jake in a dramatic twilight silhouette portrait at Aldea in the Woods in Flagstaff

Aldea in the Woods | Flagstaff, Arizona

Kellie & Jake

A forest wedding with family history, crows, choreography, and one very important B-52s tradition.

A few doors apart

The day started in the easiest possible way: Kellie and Jake got ready almost next door to each other.

Kellie and Jake come from a family I’ve had the privilege of photographing several times over the years, so this one already felt familiar in the best way. They are a fantastic couple, and getting to be there for another wedding in this family meant a lot.

Because they live close to Aldea in the Woods, Kellie was able to get ready at their house while Jake got ready at an Airbnb on the same street. A few doors down. No complicated logistics. No long drives. Just an easy back-and-forth between homes, which is one of those small timeline choices that makes the whole morning better.

I’ve always appreciated when couples get ready near each other, whether it’s the same hotel or the same street. Even with a second shooter, it lets us both cover the same parts of the day from different angles instead of splitting the story in half.

Kellie and Jake wedding invitation and details for their Flagstaff wedding
Tall trees near Aldea in the Woods in Flagstaff
Colorful floral details from Kellie and Jake’s wedding day
Groom details with pine tree socks before the Flagstaff wedding
Kellie getting ready at home before the wedding
Kellie getting ready with soft window light
Wedding detail box photographed before the ceremony
Aldea in the Woods cabin wedding venue in Flagstaff
Jake adjusting his bow tie before the ceremony
Family moment during getting ready before Kellie and Jake’s wedding
Black and white hallway portrait before the wedding
Kellie’s dress hanging before the wedding
Kellie with bridesmaids in sage green getting ready outfits
Jake in the woods before his Flagstaff wedding ceremony
Kellie getting into her wedding dress with bridesmaids

Palette

Sage green, rust, ochre, soft blush, cabin wood, and Flagstaff pine.

First looks in the trees

Before the ceremony, there were parent tears, forest portraits, and one photographer quietly scanning the trees for crows.

Kellie loves crows, so I had that in the back of my mind all day. They’re smart, observant birds, and in a place like Aldea in the Woods, it felt completely possible that one might show up like it had been invited.

The first look with the parents was emotional and sweet, and then Kellie and Jake had their own first look surrounded by the woods. The whole setting had that Flagstaff calm: pine trees, soft dirt paths, mountain air, and enough room for the day to breathe.

Boot and wedding detail photo in the woods
Emotional parent first look at Aldea in the Woods
Kellie hugging family during the parent first look
Kellie’s bouquet with warm autumn colors in the pine trees
Kellie and Jake seeing each other for the first look
Kellie and Jake portrait in the Flagstaff woods
Kellie and Jake walking together through the pines
Kellie and Jake wedding portrait among tall trees
Black and white portrait of Kellie and Jake laughing together
Kellie and Jake tucked into the woods for portraits
Kellie and Jake kissing in the trees
Kellie and Jake portrait with wildflowers and forest light
Kellie and Jake wide forest portrait at Aldea in the Woods
Kellie twirling in her wedding dress in the forest
Jake photographing Kellie during a playful wedding portrait moment
Kellie and Jake inside the octagon ceremony frame in the woods
Kellie and Jake portrait inside Aldea in the Woods cabin
Outdoor ceremony at Aldea in the Woods in Flagstaff
Kellie and Jake walking from the ceremony frame at Aldea in the Woods
Kellie and Jake celebrating after the ceremony

The ceremony frame

They got married in front of an octagon frame that felt made for the woods.

Aldea in the Woods is exactly what the name promises: a gorgeous little cabin venue tucked into Flagstaff trees. The ceremony took place outside, with an octagon frame that gave the space just enough structure without competing with the forest.

The colors were beautiful too. Sage greens, warm florals, rust tones, and wood textures all working together in a way that felt natural instead of overly styled.

Kellie with bridesmaids in the Flagstaff woods
Kellie and Jake during a quiet portrait after the ceremony
Kellie and Jake golden hour portrait in the pines
Close portrait of Kellie and Jake after the ceremony
Reception table details with green and warm floral colors
Aldea in the Woods reception room before guests arrived
Ceremony frame and piano setup at Aldea in the Woods
Reflective wedding detail from Kellie and Jake’s reception
Reception table settings at Aldea in the Woods
Black and white portrait of Kellie and Jake during reception portraits
Black and white grand entrance during Kellie and Jake’s reception
Kellie and Jake entering the reception with friends and family cheering

Some families become familiar in front of the camera. This one has become familiar in a way I’m genuinely grateful for.

Kellie and Jake in smoky twilight light after their Flagstaff wedding

Dinner, dances, and Dad goals

Kellie and her dad kept the family dance streak alive.

Like her siblings before her, Kellie did a choreographed dance with her dad, and it was fantastic. Energetic, funny, polished, and full of personality.

I’ll be honest: as a dad, I’m jealous of how well this family does those dances. Her dad is amazing, and I look up to the way he shows up for these moments. It’s one thing to give a toast or share a slow dance. It’s another thing to go all in, rehearse, perform, and make the room explode.

Blueberry dessert tarts at Kellie and Jake’s reception
Evening reception details at Aldea in the Woods
Black and white toast during the reception
Kellie and her dad starting their energetic choreographed dance
Kellie and her dad dancing during the reception
Kellie and Jake sharing a dance at dusk
Large group photo with Kellie and Jake’s wedding guests
Night portrait of Kellie and Jake with dramatic light in the woods
Kellie and Jake kissing in the field at night
Black and white dance floor moment at Kellie and Jake’s wedding
Wedding guests dancing to Rock Lobster at the reception
Friends and family celebrating on the dance floor
Kellie and Jake laughing with guests during the reception
Kellie and Jake dancing with guests at night

Rock Lobster and bubbles

Then came the family anthem, the solo dance, and a bubble exit full of cheers.

At every wedding, this family plays “Rock Lobster” by the B-52s in tribute to their mom, who loves that song. If you look through the photos, you can practically spot the exact moment it hits. The energy changes. People commit. The dance floor gets weird in the best possible way.

After the party, Kellie and Jake had a quiet solo dance on the floor by themselves. Then everyone sent them off with bubbles, cheering, and all the happy chaos a good wedding exit should have.

Kellie and Jake, thank you for letting me be part of this one. And to the whole family, thank you for continuing to trust me with these chapters. I’m grateful every time.

Reception guests singing and cheering during the party
Dance floor celebration at Aldea in the Woods
Guest dancing in tribute to Rock Lobster at the reception
Black and white guest dance moment during Rock Lobster
Kellie and Jake on the dance floor with friends and family
Reception guest sliding across the dance floor during the party
Guest celebrating on the dance floor at night
Kellie and Jake surrounded by dancing guests
Kellie and Jake laughing in the middle of the reception party
Friends cheering on the dance floor at Kellie and Jake’s wedding
Kellie and Jake sharing a solo final dance on the empty dance floor
Welcome sign for Kellie and Jake at Aldea in the Woods
Bubble exit for Kellie and Jake at the end of the night

Planning something similar?

Send the date and location. We’ll start there.

You do not need to have every detail figured out before reaching out. If you have a date, a place, or even just a maybe, that is enough to start.